NEW! Read some fun facts about Masterworks in HSO’s Prelude!
Prelude is HSO’s new pre-concert guide which will be sent only in an electronic format to our subscribers, single-ticket holders, donors and any others who might be interested in some “insider information” about a piece, composer or artist that will be featured on the upcoming Masterworks program.
Prelude will not replace the excellent program notes in our concert program, but is written to offer some different – and hopefully fun – facts that will spark interest in the upcoming Masterworks program. It will be sent approximately a week in advance of the upcoming Masterworks program.
Please let us know what you think! If you know someone who might be interested in receiving Prelude, or you have feedback, please contact Ruth Sovronsky at 860-760-7321 or at email@example.com
Masterworks 7: Copland & Gershwin
Masterworks 6: Stravinsky & Swan Lake
Masterworks 5: The Keys to Romance
Masterworks 4: A Scottish Fantasy
Masterworks 3: December Dreams
Masterworks 2: Mozart & La Mer
Masterworks 1: Beethoven’s Eroica
Masterworks 9: Choral Fantasy and Mystical Songs
Masterworks 8: Russian Intensity
Masterworks 7: The Planets: Different Worlds
Masterworks 6: A Faust Symphony
Masterworks 5: Symphonic Love Potions
Masterworks 4: Beethoven and Ravel
Masterworks 3: Merry Mozart
Masterworks #2: Bewitching Brahms
Masterworks #1: Scheherazade
Masterworks #9: Gershwin: Pop artist or classical composer?
Masterworks #8: Romantic Rachmaninoff – Why did Rachmaninoff’s composing career nearly end almost as soon as it began?
Masterworks #7: Mozart & Hartt – Connecting to Mozart
Masterworks #6: Russian Masters – Tchaikovsky’s Violin Concerto in D Major
Masterworks #5: What piece of music can claim to have “induced fits of sobbing, fainting and even orgasms” in the theatre?
Masterworks #4: The Role of the Conductor, OR – Can Someone Please Explain What a Conductor Does, Really?
Masterworks #3: Handel: He Created a Gift That Keeps on Giving
Masterworks #2: Beethoven – The Bold Entrepreneur
Masterworks #1: Focus on Max Bruch’s Violin Concerto No. 1 in G minor, Op. 26
Notes with composers’ biographical information and detailed remarks about the musical selections on the program compiled by a musicologist are available in the playbill for all Masterworks and Classical Connections.
2014-2015 Season Program Notes
2013-2014 Season Program Notes Archive