Praised for his suavely adventurous programing, Joseph Young is increasingly recognized as “one of the most gifted conductors of his generation.” Joseph is Music Director of the Berkeley Symphony, Artistic Director of Ensembles for the Peabody Conservatory, and Resident Conductor of the National Youth Orchestra–USA at Carnegie Hall. In recent years, he has made appearances with the Saint Louis Symphony, Buffalo Philharmonic, Colorado Symphony, Detroit Symphony, Phoenix Symphony, Bamberger Symphoniker, New World Symphony Orchestra, Spoleto Festival Orchestra, Orquestra Sinfónica do Porto Casa da Música, and the Orquesta Sinfonica y Coro de RTVE (Madrid); among others in the U.S. and Europe.
In his most recent role Joseph served as the Assistant Conductor of the Atlanta Symphony where he conducted more than 50 concerts per season Mr. Young also served as the Music Director of the Atlanta Symphony Youth Orchestra, where he was the driving force behind the ensemble’s artistic growth. Previous appointments have included Resident Conductor of the Phoenix Symphony, and the League of American Orchestras Conducting Fellow with Buffalo Philharmonic and Baltimore Symphony.
Joseph is a recipient of the 2015 Solti Foundation U.S. Career Assistance Award for young conductors, an award he also won in 2008, and 2014. In 2013, Joseph was a Semi-finalist in the Gustav Mahler International Conducting Competition (Bamberg, Germany). In 2011, he was one out of six conductors featured in the League of American Orchestras’ prestigious Bruno Walter National Conductor Preview.
Joseph completed graduate studies with Gustav Meier and Markand Thakar at the Peabody Conservatory in 2009, earning an artist’s diploma in conducting. He has been mentored by many world-renowned conductors including Jorma Panula, Robert Spano and Marin Alsop whom he continues to maintain a close relationship.
Joseph Young is the guest conductor for the October 1-3, 2021 Masterworks concert: Beethoven 7.
A powerful communicator renowned for her musical scope and versatility, Brazilian American Clarice Assad is a significant artistic voice in the classical, world music, pop and jazz genres. A Grammy nominated composer, celebrated pianist and inventive vocalist, she is renowned for her evocative colors, rich textures, and diverse stylistic range. As an innovator, her award-winning Voxploration Series on music creation, songwriting and improvisation has been presented throughout the United States, Brazil, Europe and the Middle East. With her artistic talents sought- after by artists and organizations worldwide, the multi-talented musician continues to attract new audiences both onstage and off.
In the recording arena, Ms. Assad has released seven solo albums and appeared on or had her works performed on another 30. Her music is represented on Cedille Records, SONY Masterworks, Nonesuch, Adventure Music, Edge, Telarc, NSS Music, GHA, and CHANDOS Ms. Assad will have four recordings featuring her works released in 2019.
A prolific Grammy nominated composer with over 70 works to her credit, Clarice Assad’s numerous commissions include works for Carnegie Hall, the Chamber Music Society of Lincoln Center, Orquestra Sinfônica de São Paulo, Chicago Sinfonietta, San Jose Chamber Orchestra, the Boston Youth Orchestra, the Bravo! Vail Music Festival, Queen Reef Music Festival and the La Jolla Music Festival, to name a few. Her compositions have been recorded by some of the most prominent names in the classical music, including percussionist Dame Evelyn Glennie, cellist Yo- Yo Ma, violinist Nadja Salerno-Sonnenberg, and oboist Liang Wang. Assad’s music has been performed by internationally acclaimed orchestras, including the Philadelphia Orchestra, Tokyo Symphony, Queensland Symphony, and the Orquestra Sinfônica de São Paulo. Ms. Assad has served as a composer-in-residence for the Albany Symphony, the Cabrillo Festival of Contemporary Music, New Century Chamber Orchestra, and the Boston Landmarks Orchestra. Her works are published in France (Editions Lemoine), Germany (Trekel), Criadores do Brasil (Brazil) and by Virtual Artists Collective Publishing, (VACP) a publishing company co-founded with poet and philosopher Steve Schroeder. Ms. Assad is currently writing the soundtrack to Devoti Tutti, a documentary by Bernadette Wegenstein, while composing the music for a ballet by award-winning choreographer Shannon Alvis.
As a performer, Clarice has shared the stage with such artists as Bobby McFerrin, Anat Cohen, Nadia Sirota, PaquitoD’Rivera, Tom Harrell, Marilyn Mazur and Mike Marshall, among other outstanding musicians. She has performedat internationally renowned venues and festivals including The Netherlands’ Concertgebow, New York’s Carnegie Hall, Belgium’s Le Palais des Beaux-Arts, New York’s Metropolitan Museum of Art, Le Casino de Paris, Jazz at Lincoln Center and the Caramoor International Jazz Festival.
A passionate educator, in 2015 Ms. Assad founded VOXploration, an award-winning, trailblazing program which presents a creative, fun, and accessible approach to music education through meaningful, interactive experiences. Carefully curated to work equally well with participants of any age who have little music education or those having musical backgrounds, VOXploration has received grants and awards from Brazilian foundations such as CAIXA CULTURAL and SESC, as well as American grants from New Music USA and the McKnight Foundation. Ms. Assad has given masterclasses, residencies and workshops throughout the United States, Europe and Middle East.
Born in Rio de Janiero, Clarice Assad is one of the most widely performed Brazilian concert music composers of her generation. The recipient of numerous honors and awards, amongst them an Aaron Copland Award and several ASCAP awards in composition, Clarice Assad holds a Bachelor of Music degree from the Roosevelt University in Chicago, and a Master of Music degree from The University of Michigan School of Music.
Clarice Assad is the guest composer and vocalist for the October 1-3, 2021 Masterworks concert: Beethoven 7.
Versatile, daring and insightful, Venezuelan pianist Gabriela Martinez is establishing a reputation on both the national and international stages for the lyricism of her playing, her compelling interpretations, and her elegant stage presence.
Delos recently released Ms. Martinez’s debut solo album, Amplified Soul, which features a wide-ranging program including works by Beethoven, Rachmaninoff, and Szymanowski. She also pays homage to acclaimed composers Mason Bates and Dan Visconti, whose title selection, Amplified Soul (world premiere recording), was written for her. Ms. Martinez collaborated with Grammy Award-winning producer David Frost on the recording. A music video of Amplified Soul can be found on Ms. Martinez’s YouTube Channel.
Since making her orchestral debut at age 7, Ms. Martinez has played with such distinguished orchestras as the San Francisco, Chicago, Houston, New Jersey, Tucson, West Michigan, Pacific and Fort Worth symphonies; Germany’s Stuttgarter Philharmoniker, MDR Leipzig Radio Symphony Orchestra, Nurnberger Philharmoniker; Canada’s Victoria Symphony Orchestra; the Costa Rica National Symphony and the Simon Bolivar Symphony Orchestra in Venezuela. Recent season highlights include debut appearances with the Buffalo, Boulder, Dayton and National philharmonic orchestras and the Jacksonville, Delaware, Akron, La Crosse, Modesto, Rogue Valley, Springfield (MO), Topeka, and Wichita symphony orchestras.
She has performed with Gustavo Dudamel, James Gaffigan, James Conlon, Marcelo Lehninger and Guillermo Figueroa, among many others, and has performed at such esteemed venues as Carnegie Hall, Avery Fisher Hall, Merkin Hall and Alice Tully Hall in New York City; the Broad Stage in Santa Monica, El Paso Pro Musica Series, the Kansas City Harriman-Jewell Series; Canada’s Glenn Gould Studio; Salzburg’s Grosses Festspielhaus; Dresden’s Semperoper; Copenhagen’s Tivoli Gardens; and Paris’s Palace of Versailles. Her festival credits include the Mostly Mozart, Ravinia, and Rockport festivals in the United States; Italy’s Festival dei Due Mondi (Spoleto); Switzerland’s Verbier Festival; the Festival de Radio France et Montpellier; and Japan’s Tokyo International Music Festival.
Her wide-ranging career includes world premieres of new music, live performance broadcasts, and interviews on TV and radio. Her performances have been featured on National Public Radio, CNN, PBS, 60 Minutes, ABC, From the Top, Radio France, WQXR and WNYC (New York), MDR Kultur and Deutsche Welle (Germany), NHK (Japan), RAI (Italy), and on numerous television and radio stations in Venezuela.
Ms. Martinez was the First Prize winner of the Anton G. Rubinstein International Piano Competition in Dresden, and a semifinalist at the 12th Van Cliburn International Piano Competition, where she also received the Jury Discretionary Award. She began her piano studies in Caracas with her mother, Alicia Gaggioni, and attended The Juilliard School, where she earned her Bachelor and Master of Music degrees as a full scholarship student of Yoheved Kaplinsky. Ms. Martinez was a fellow of Carnegie Hall’s The Academy, and a member of Ensemble Connect (formerly known as Ensemble ACJW), while concurrently working on her doctoral studies with Marco Antonio de Almeida in Halle, Germany.
Gabriela Martinez is the guest pianist for the December 3-5, 2021 Masterworks Concert Tchaikovsky & Grieg
Jeri Lynne Johnson is the Founder and Artistic Director of the Black Pearl Chamber Orchestra. She founded Black Pearl in Philadelphia, PA as a model for the 21st-century American orchestras combining artistic excellence with cultural diversity and meaningful community engagement. Black Pearl has been recognized nationally and internationally as an award-winning leading innovator in social justice and racial equity. Based upon her work with Black Pearl, Ms. Johnson established DEI Arts Consulting in 2015 as a vehicle to offer strategic and creative solutions for cultural institutions seeking to create a culture of belonging.
In 2005 she made history as the first Black woman to win an international conducting prize when she was awarded the Taki Alsop Conducting Fellowship. Ms. Johnson has broken barriers in Europe and the US as the first African-American woman on the podium for many orchestras and has conducted the Philadelphia Orchestra, Dallas Symphony, the Bournemouth Symphony (UK), the Weimar Staatskapelle (Germany) among others.
Jeri Lynne Johnson is the guest conductor of the 2022 Masterworks concert From the New World.
Pianist Michelle Cann made her orchestral debut at age fourteen and has since performed as a soloist with numerous ensembles including The Philadelphia Orchestra, The Cleveland Orchestra, the Florida Orchestra, the North Carolina Symphony, and the New Jersey Orchestra.
A champion of the music of Florence Price, Ms. Cann performed the New York City premiere of the composer’s Concerto in One Movement with The Dream Unfinished Orchestra in July 2016 and the Philadelphia premiere with The Philadelphia Orchestra and Music Director Yannick Nézet-Séguin in February 2021, which the Philadelphia Inquirer called “exquisite.” She has also performed Price’s works for solo piano and chamber ensemble for the Cincinnati Symphony Orchestra, Chamber Music Society of Detroit, and the New World Symphony, among other presenters.
Highlights of her Summer 2021 activities include a repeat performance with The Philadelphia Orchestra at the Mann Center for the Performing Arts, an appearance with the Hilton Head Symphony Orchestra, and a role on the jury of the Cleveland International Piano Competition.
Ms. Cann regularly appears in recital and as a chamber musician throughout the U.S., China, and South Korea. Notable venues include the National Centre for the Performing Arts in Beijing, the John F. Kennedy Center for the Performing Arts in Washington, D.C.; and Walt Disney Concert Hall in Los Angeles and the Barbican in London with members of the Los Angeles Philharmonic.
Ms. Cann regularly performs duo recitals with her sister, pianist Kimberly Cann; together their “sheer verve and evident passion is something to behold” (Mountain Xpress).
Ms. Cann has appeared as cohost and collaborative pianist with NPR’s From The Top, collaborating with actor/conductor Damon Gupton, violinist Leila Josefowicz, and violinist and MacArthur Fellow Vijay Gupta. She has also been featured on WRTI-FM and WHYY-TV in Philadelphia. Her summer festival appearances have included the Taos Chamber Music Festival, Yellow Barn, Perlman Music Program, Music Academy of the West, Geneva Music Festival, and Pianofest in the Hamptons, where she serves as artist in residence.
Ms. Cann has won top prizes in state, national, and international competitions including the International Russian Music Piano Competition, the Blount Slawson Young Artists Competition, and the Wideman International Piano Competition. In 2019 she served as the Cincinnati Symphony Orchestra’s MAC Music Innovator in recognition of her role as an African-American classical musician who embodies artistry, innovation, and a commitment to education and community engagement.
Ms. Cann manifests this commitment through her activities in Philadelphia and as part of touring engagements around the globe. She has served as the director of two children’s choruses in the El Sistema-inspired program Play On Philly and was among the first class of ArtistYear fellows at the Curtis Institute of Music, where she worked with community partners City Year, Teach for America, and AmeriCorps to provide arts education and access to underserved communities in Philadelphia. In 2019 she served on the faculty of the Sphinx Performance Academy during its inaugural year at the Juilliard School.
Ms. Cann holds bachelor’s and master’s degrees in piano performance from the Cleveland Institute of Music, where she studied with Paul Schenly and Dr. Daniel Shapiro, and an Artist’s Diploma from the Curtis Institute of Music, where she studied with Robert McDonald.
Ms. Cann served as a collaborative staff pianist at the Curtis Institute of Music for several years. She joined the faculty in 2020 as the inaugural Eleanor Sokoloff Chair in Piano Studies.
Michelle Cann is the guest pianist of the 2022 Masterworks concert From the New World.
Praised by The Baltimore Sun for her “impeccable technique…deeply expressive phrasing…and poetic weight,” Sirena Huang is one of her generation’s most celebrated violinists. She brings not only technical brilliance and powerful artistry to the stage, but also a profound sense of connection to her audience.
Sirena has been the recipient of numerous accolades and awards. In 2017, she was awarded First Prize at the Elmar Oliveira International Violin Competition and later that year, she was the winner of the New York Concert Artist Worldwide Debut Audition. In 2009, she won First Prize Gold Medalist of the 6th International Tchaikovsky Competition for Young Musicians. She won First Prize and the Audience Award at the Cooper International Competition in 2011. That same year, she was also named the first Artist-in-Residence of Hartford Symphony Orchestra. In 2013, she was awarded the Hannloser Prize for Violin at the Verbier Music Festival in Switzerland. She is also a top prize winner at Singapore International Violin Competition as well as the Shanghai Isaac Stern International Violin Competition.
Sirena made her solo debut with the National Taiwan Symphony Orchestra in 2004 at the age of nine and has performed in twenty countries across three continents. She has been featured as a soloist with more than fifty prestigious ensembles, including the New York Philharmonic, Cleveland Symphony Orchestra, Baltimore Symphony Orchestra, Shanghai Symphony Orchestra, Russian Symphony Orchestra, Singapore Symphony Orchestra, and the Staatskapelle Weimar in Germany. She has performed in leading venues, including Berliner Philharmonie, Carnegie Hall, Lincoln Center, the Kennedy Center, the Kravis Center, Esplanade -Theaters on the Bay, Shanghai Concert Hall, and the Taiwan National Concert Hall, among many others. She has appeared as a guest artist at the Verbier Music Festival, Marlboro Music Festival, Ravinia Music Festival, Aspen Music Festival, Newport Music Festival, Music in the Mountains Festival, Eastern Music Festival, Sarasota Arts Series, “The Great Music for a Great City” series in New York City, and many others.
Motivated by a deep wish to inspire peace and harmony with her music, Sirena has performed before world leaders, thinkers and humanitarians. She has appeared at the World Peace Conference held in Petra and at the Opening Ceremony of the “Forum 2000 World Conference” in Prague, among others.
In addition to her TED Talk in 2006, Sirena has been featured on numerous radio and television broadcasts, including WQXR’s McGraw-Hill Young Artists Showcase, and NPR’s “From the Top” as well as several interviews with WNPR, CNBC, WTNH, WTIC, WB20 and Beethoven Radio.
Sirena is performing on a violin by the Brothers Amati, c. 1624 courtesy of Guarneri Hall NFP and Darnton & Hersh Fine Violins, Chicago.
Sirena Huang is the guest violinist for the February 11-13, 2022 Masterworks concert Firebird.
Demarre McGill has gained international recognition as a soloist, recitalist, chamber and orchestral musician. Winner of an Avery Fisher Career Grant and the Sphinx Medal of Excellence, he has appeared as soloist with the Philadelphia Orchestra, the Seattle, Pittsburgh, Dallas, Grant Park, San Diego and Baltimore symphony orchestras and, at age 15, the Chicago Symphony.
Now principal flute of the Seattle Symphony, he previously served as principal flute of the Dallas Symphony, San Diego Symphony, Florida Orchestra, and Santa Fe Opera Orchestra. He recently served as acting principal flute of the Metropolitan Opera Orchestra and earlier with the Pittsburgh Symphony Orchestra.
As an educator, Demarre has performed, coached and presented master classes in South Africa, Korea, Japan, Quebec and throughout the United States. With his brother Anthony, he was a speaker and performer at the 2018 League of American Orchestras Conference. He has also served on the faculties of the National Youth Orchestra of the United States, the National Orchestral Institute (NOI) at the University of Maryland, the Orford Music Festival, and participated in Summerfests at the Curtis Institute of Music. In August of 2019, he was named Associate Professor of Flute at Cincinnati College-Conservatory of Music, and is an artist-faculty member of the Aspen Music Festival and School.
A founding member of The Myriad Trio, and former member of Chamber Music Society Two, Demarre has participated in the Santa Fe, Marlboro, Seattle and Stellenbosch chamber music festivals, to name a few. He is the co-founder of The Art of Élan and, along with clarinetist Anthony McGill and pianist Michael McHale, founded the McGill/McHale Trio in 2014. Their first CD, “Portraits,” released in August 2017, has received rave reviews, as has “Winged Creatures,”his recording with Anthony McGill and the Chicago Youth Symphony Orchestra. In 2019-20 the McGill/McHale Trio performs at New York City’s 92nd Street Y, as well as in Washington D.C. and on chamber music series throughout the Midwest.
Media credits include appearances on PBS’s Live from Lincoln Center, A & E Network’s The Gifted Ones, NBC’s Today Show, NBC Nightly News, and, with his brother Anthony when they were teenagers, on Mr. Rogers’ Neighborhood.
A native of Chicago, Demarre McGill began studying the flute at age 7 and attended the Merit School of Music. In the years that followed, until he left Chicago, he studied with Susan Levitin. Demarre received his Bachelor’s degree from The Curtis Institute of Music and a Master’s degree at The Juilliard School.
DeMarre McGill is the guest artist for the March 11-13, 2022 Masterworks concert Mendelssohn’s Italian.
Praised by The Cleveland Classical Review for his “astonishingly confident technique” and The New York Times for “thrilling [and] triumphant” performances, pianist Henry Kramer is developing a reputation as a musician of rare sensitivity who combines stylish programming with insightful and exuberant interpretations. In 2016, he garnered international recognition with a Second Prize win in the Queen Elisabeth Competition in Brussels. Most recently, he was awarded a 2019 Avery Fisher Career Grant by Lincoln Center – one of the most coveted honors bestowed on young American soloists.
Kramer began playing piano at the relatively late age of 11 in his hometown of Cape Elizabeth, Maine. One day, he found himself entranced by the sound of film melodies as a friend played them on the piano, inspiring him to teach himself on his family’s old upright. His parents enrolled him in lessons shortly thereafter, and within weeks, he was playing Chopin and Mozart.
Henry emerged as a winner in the National Chopin Competition in 2010, the Montreal International Competition in 2011 and the China Shanghai International Piano Competition in 2012. In 2014 he was added to the roster of Astral Artists, an organization that annually selects a handful of rising stars among strings, piano, woodwinds and voice candidates. The following year, he earned a top prize in the Honens International Piano Competition.
Kramer has performed “stunning” solo recital debuts, most notably at Alice Tully Hall as the recipient of the Juilliard School’s William Petschek Award, as well as at Amsterdam’s Concertgebouw. At his Philadelphia debut, Peter Dobrin of The Philadelphia Inquirer remarked, “the 31-year-old pianist personalized interpretations to such a degree that works emerged anew. He is a big personality.”
A versatile performer, Kramer has soloed in concertos with the Bilkent Symphony Orchestra, Belgian National Orchestra, Shanghai Philharmonic Orchestra, Indianapolis Symphony and the Calgary Philharmonic Orchestra, among many others, collaborating with conductors such as Marin Alsop, Gerard Schwarz, Stéphane Denève, Jan Pascal Tortelier and Hans Graf. Throughout the pandemic, Henry appeared on multiple digital concert programs including a livestream on the ViolinChannel, at the Rockport Music Festival, Walla Walla Chamber Music Festival, Portland Chamber Music Festival in addition to a live performance of Schumann’s Piano Concerto with the Columbus (Georgia) Symphony Orchestra. As concerts return, Henry will make appearances in the 2021-22 season at BravoPiano! festival in Hilton Head where he will premiere a work he commissioned by composer Hannah Lash, Rachmaninoff 3rd Concerto with the Hartford Symphony, and chamber music with Camerata Pacifica.
His love for the chamber music repertoire began early in his studies while a young teenager. A sought-after collaborator, he has appeared in recitals at the Chamber Music Society of Lincoln Center, the Mainly Mozart Festival, the Mostly Mozart Festival, and La Jolla Music Society’s Summerfest. His recording with violinist Jiyoon Lee on the Champs Hill label received four stars from BBC Music Magazine. This year, Gramophone UK praised Kramer’s performance on a recording collaboration (Cedille Records) with violist Matthew Lipman for “exemplary flexible partnership.” Henry has also performed alongside Emmanuel Pahud, the Calidore and Pacifica Quartets, Miriam Fried, as well as members of the Berlin Philharmonic and Orchestra of St. Luke’s.
Teaching ranks among his greatest joys. Since 2018, Kramer has held the L. Rexford Whiddon Distinguished Chair in Piano at the Schwob School of Music at Columbus State University in Columbus, Georgia. Throughout his multifaceted career, he has also had positions at Smith College and the University of Missouri Kansas City Conservatory of Dance and Music.
Kramer graduated from the Juilliard School, where he worked with Julian Martin and Robert McDonald. He received his Doctorate of Musical Arts from the Yale School of Music under the guidance of Boris Berman. His teachers trace a pedagogical lineage extending back to Beethoven, Chopin and Busoni. Kramer is a Steinway Artist.
Henry Kramer is the guest pianist for the April 8-10, 2022 Masterworks concert Rachmaninoff & Tchaikovsky.
Anupama Bhagwat, sitar musician nonpareil, has carved a niche in Indian Classical Music with a versatile & eclectic style. Acclaimed world-wide with a repertoire of global performances since 1995, her sensitivity and erudition has taken her to the highest echelons of the modern genre.
One of the leading disciples of Pandit Shri Bimalendu Mukherjee, doyen of the Imdadkhani Gharana, Anupama’s style is characterized by scintillating fast taans, mastery of the meditative alaap, and brilliant fluency of melody (raaga-bhava), while remaining true to tradition.
Anupama has been conferred the title Surmani, by Sur Sringar Sansad, Bombay (1995). Early on, she had won First Position in the All India Radio (AIR) Music Competition (1994), as well as a HRD Scholarship from the Government of India (1993-1996).
Anupama obtained her Masters in music from Indira Kala Sangeet Vishwavidyalaya, India; and received grants in ‘00, ‘02, ‘04, and ‘08, from the Ohio Arts Council (USA).
Anupama’s repertoire of performances world-wide span major universities and conservatories, notably: SouthBank Center (London, UK), Ali Akbar Khan School of Music (Basel, Switzerland), MIT Fall Concert Series(Boston, USA), U Penn, Berkeley, Ole Miss (USA), Asian Arts Museum (San Francisco), U of Victoria & Calgary, Musée Guimet (Paris), Musée des Beaux-Arts (Angers, France).
Anupama has been lauded by the connoisseurs in India for her performances at prestigious festivals and venues such as: Doverlane Music Conference (Kolkata), Ustad Amir Khan Smriti Samaroh (Indore), Saptak(Ahmedabad), Sankat Mochan Samaroh (Varanasi), Sangeet Research Academy (Kolkata), Baba HarBallabh Samaroh (Jalandhar), KM Conservatory (Chennai) and more.
Anupama has appeared on All India Radio, Doordarshan National Television (India), WKCR (New York City), WDPR (Dayton Public Radio), WEFT (Champaign, IL), Mood Indigo (California Arts TV), WRIR Radio Show(Richmond, VA), etc.
Anupama has also collaborated on World-Music performances such as Lotus Festival, Global Rhythms, Cincinnati Choir etc., in addition to jugalbandis with renowned Indian musicians of other genres.
Anupama Bhagwat is the guest artist for the May 6-8 Masterworks concert: Scheherazade & Shankar.
The Resurgam Quartet formed in 2015 at the Hartt School in Hartford, CT. Its current members are Harrison Kliewe (soprano saxophone), Colette Hall (alto saxophone), Sean Tanguay (tenor saxophone), and Michael Raposo (baritone saxophone).
Dedicated to expanding the saxophone quartet body of work, Resurgams’s latest commission, Breaking Point, premiered in March, 2018 at the North American Saxophone Alliance’s Biennial Conference. Shortly after, the Quartet performed the piece as soloists with the Tri-County Symphonic Band in Marion, MA.
Resurgam has presented concerts of new works at both the Queens New Music Festival and the Hartford New Music Festival, and will continue to collaborate with visionary composers to create exciting saxophone quartet repertoire.
The Quartet advanced to the semi-final round at the prestigious international Fischoff Chamber Music Competition in both 2016 and 2017 and won the 2016 Paranov Concerto Competition at the Hartt School where they performed William Bolcom’s Concerto Grosso.
Education is an important part of Resurgam’s mission. The Quartet has presented masterclasses, educational concerts and performances in New York City, Massachusetts, Connecticut, Rhode Island, and Indiana.
The Resurgam Quartet is dedicated to engaging audiences in exciting saxophone quartet repertoire.
Resurgam Quartet is a guest saxophone quartet for the June 10-12, 2022 Masterworks concert Beethoven’s Ninth.
Founded in 1972, Hartford Chorale is a volunteer not-for-profit organization that presents, on a symphonic scale, masterpieces of great choral art throughout southern New England and beyond, serving as the primary symphonic chorus for the Greater Hartford community.
Through its concerts and collaborations with the Hartford Symphony Orchestra and other organizations, the Hartford Chorale engages the widest possible audiences with exceptional performances of a broad range of choral literature, providing talented singers with the opportunity to study and perform at a professional level.
Our voices are raised in song to inspire thousands of ears, minds, and hearts.
Hartford Chorale’s dedicated members are avocational singers with professional-quality voices and include musicians, teachers, students, doctors, lawyers, engineers and many more from all walks of life. Members are supported by a small core of professional vocalists members, live throughout Connecticut and Massachusetts and work in many businesses and schools in the region.
Hartford Chorale is governed by a volunteer board, a diverse and impressive group of individuals with a wide range of business and musical experiences. They have a singular vision to keep the Chorale moving forward using our Four-Point Chorale Strategic Planning Framework. Many of the board members also sing in the Chorale.
The Hartford Chorale are guest vocalists in the June 10-12, 2022 Masterworks concert Beethoven’s Ninth.